
From USAToday via ONTD!
We were asking why he thought recent films didn't have quite the impact or longevity as the classics, and he gave us a great response about how the volume of movies being made and seen made it hard for anything to have the cultural impact of a movie like The Godfather or be remembered. He was disappointed there weren't those sorts of benchmarks in the movies being made today, but he surprised us by adding that he thought James Cameron's Avatar would be one of those benchmarks:
"I've seen some stuff and holy sh*t. It's the craziest sh*t ever. That could negate everything I just said," he told us.
A lot of people are eagerly anticipating the film, being that it's Cameron's first narrative feature film since Titanic way back in 1997, but nothing has been seen of the movie beyond a poster and a brief report from TIME last month. To have a reputable and discerning filmmaker like Soderbergh give it such high praise certainly makes one optimistic that Cameron's return will be the stuff of cinematic legend.
The film follows a love affair between a retired courtesan, Léa (Pfeiffer) and Fred - nicknamed Chéri (Friend), the son of a former colleague and rival. Caught in the mercenary dealings of his mother (Bates), Chéri is forced to marry the beautiful and rich daughter (Felicity Jones) of yet another escort who will endow the pair with some of her ill-gotten gains. But the process renders Chéri impotent with the longing for his former mistress, whilst Léa must come to terms with being a woman "of a certain age".[Empire]
OPENING NIGHT FILM:
Pixar's Up - Dir: Pete Docter
COMPETITION:
Broken Embraces - Dir: Pedro Almodóvar
Fish Tank - Dir: Andrea Arnold
A Prophet - Dir: Jacques Audiard
Vincere - Dir: Marco Bellocchio
Bright Star - Dir: Jane Campion
In the Beginning - Dir: Xavier Giannoli
Map of the Sounds of Tokyo - Dir: Isabel Coixet
The White Ribbon - Dir: Michael Haneke
Taking Woodstock - Dir: Ang Lee
Looking for Eric - Dir: Ken Loach
Spring Fever - Dir: Lou Ye
Kinatay - Dir: Brillante Mendoza
Enter The Void - Dir: Gasper Noe
Thirst - Dir: Park Chan-wook
Les Herbes Foilles - Dir: Alain Resnais
The Time That Remains - Dir: Elia Suleiman
Inglourious Basterds - Dir: Quentin Tarantino
Vengeance - Dir: Johnnie To
Face - Dir: Tsai Ming-liang
Antichrist - Dir: Lars von Trier
UN CERTAIN REGARD:
Mother - Dir: Bong Joon-ho
Irene - Dir: Alain Cavalier
Precious - Dir: Lee Daniels
Demaine Des L'Aube - Dir: Denis Dercourt
Adrift - Dir: Heitor Dhalia
Nobody Knows About The Persian Cats - Dir: Bahman Ghobadi
The Wind Journeys - Dir: Ciro Guerra
Le Pere De Mes Enfants - Dir: Mia Hansen-Løve
Tale In The Darkness - Dir: Nikolay Khomeriki
Air Doll - Dir: Hirokazu Kore-Eda
Dogtooth - Dir: Giorgos Lanthimos
Tzar - Dir: Pavel Lounguine
Independence - Dir: Raya Martin
Police, Adjective - Dir: Corneliu Porumboiu
Nymph - Dir: Pen-Ek Ratanaruang
To Die Like A Man - Dir: João Pedro Rodrigues
Eyes Wide Open - Dir: Haim Tabakman
Samson & Delilah - Dir: Warwick Thornton
The Silent Army - Dir: Jean van de Velde
Tales From The Golden Age - Dir: Hanno Hofer, Razvan Marculescu, Cristian Mungiu, Constantin Propescu, Ioanna Uricaru
OUT OF COMPETITION:
The Army of Crime - Dir: Robert Guédiguian
Agora - Dir: Alejandro Amenabar
The Imaginarium of Doctor Parnassus - Dir: Terry Gilliam
SPECIAL SCREENINGS:
Petition - Dir: Zhao Liang
L'epine Dans le Coeur - Dir: Michel Gondry
Min Ye - Dir: Souleymane Cissé
Jaffa - Dir: Keren Yedaya
Manila - Dir: Adolfo Alix Jr. and Raya Martin
My Neighbor, My Killer - Dir: Anne Aghion
MIDNIGHT SCREENINGS:
A Town Called Panic - Dir: Stéphane Aubier and Vincent Patar
Ne Te Retourne Pas - Dir: Marina de Van
Drag Me to Hell - Dir: Sam Raimi
CLOSING NIGHT FILM:
Coco Chanel & Igor Stravinsky - Dir: Jan Kounen
Hunnam confirmed that he has indeed screen-tested for the role of the god of thunder. He has only shot one screen test so far, and when asked if it involved running around with a helmet and a hammer, he replied with a smile, "Something like that."
Hunnam didn't know what the status of the casting was but said that his people have been talking to Marvel. He believes that since Marvel pushed the start date of Thor back a few months the studio is taking its time to make the best decision for the film.
Our own Erik Davis called it "a sick and twisted rollercoaster ride that climbs fast and drops slowly." What do you mean, Erik? "Basically, Downloading Nancy is about this unhappily married woman (Maria Bello) who meets a guy (Jason Patric) over the internet, falls in love, then asks him to kill her ... slowly ... so she can finally feel something in her life."
"Johnny Depp goes down on the same exact piece of pavement that John Dillinger went down on," Burrough said in a phone interview from his home in Summit, N.J. "To see what (director Michael) Mann had done with the period costumes, the period automobiles, everything looking as everything must have looked. For someone who put five years into writing about that, it just kind of gave you chills."Not that he can yet be sure: Burrough said he hasn't been able to make any of the early screenings.
"I don't know what to expect. I assume, you know, it's a big Johnny Depp movie opening on July 4 (weekend)," he said. "I assume an awful lot of people will go see it. I assume given the people that have made this movie, I assume it's going to be pretty darn good. And I assume that I am going to go to be tickled to death."[Carrie Antlfinger: Associated Press]
Based on Alice Sebold's book, the film follows Susie (Saoirse Ronan) a 14 year-old girl raped and murdered by her neighbour. From heaven, she watches her family deal (or not) with her death, and watches her murderer as he tries to hide the evidence.
Mark Wahlberg plays Susie's father, Rachel Weisz her mother, Stanley Tucci the neighbour and Susan Sarandon the family's grandmother. It's directed by Peter Jackson, and adapted by him along with his co-writers Fran Walsh and Philippa Boyens. [Empire]
Efron's in a different position than most, in that he could be famous without Disney's help because he's talented and possesses whatever that thing is that makes people stars. I don't expect 17 Again to blow the doors off its opening weekend, but I do think it will wear the crown on Monday morning...Might be $17 [million], might go up to $22. But could it do that without Zac Efron? Not a chance. As for Hannah, she'll have a sophmore slump, but we saw that coming as the Saturday and Sunday figures rolled in last week.
- Ang Lee’s Taking Woodstock, about 1969 music fest, with Emile Hirsch
- Quentin Tarantino’s Inglourious Basterds, the Nazi-hunter saga with Brad Pitt
- Francis Ford Coppola’s Tetro, an Argentine family drama with Vincent Gallo
- Werner Herzog’s Bad Lieutenant remake with Nicolas Cage
- Sam Raimi’s Drag Me to Hell, horror-thriller with Alison Lohman
- Pete Docter’s Up, the 3D Pixar adventure with Ed Asner
- Jane Campion’s Bright Star, a John Keats bio with Ben Wishaw
- Lars von Trier’s Antichrist, horror in the woods with Willem Dafoe & Charlotte Gainsbourg
- Ken Loach’s Looking for Eric, about a troubled teen soccer fan
- Andrea Arnold’s Fish Tank, teen troubles with Michael Fassbender
- Pedro Almodovar’s Broken Embraces, a noirish melodrama with Penelope Cruz
Wolverine tells his fans:
“My power to regenerate might be top secret but my ability to re-energize is simple. Milk has protein to help build muscle and a unique mix of nutrients to help you refuel. So eat right, train hard and drink lowfat milk. That’s just common mutant sense.”(Faded Youth Blog)
First Journalist: I’ve got to ask. What do you think [Tropic Thunder Method actor] Lincoln O’Siris would think of Jamie’s performance in this?
Robert Downey Jr.: Next question.
Robert Downey Jr.: By the way I could just say that to all them.
First Journalist: Do you think he’d approve?
Robert Downey Jr.: I have no idea how to even begin answering that question. And by the way—I want to have a good time. I want to have a great time, just that one tied my fucking shoelaces together right off the bat. What else you got?
Second Journalist: So I’ll kiss your ass and maybe it’ll be better.
Robert Downey Jr.: I don’t think that’s the answer either. Yeah, you do your thing and I’ll do mine.
Director Chris Weitz "aggressively" went after Sheen for the part and considering some of Sheen's recent work like The Queen and Frost/Nixon (admittedly I hated both films, but he was fantastic in them) it isn't hard to understand why Weitz would want him. I'm just wondering why Michael Sheen would sign on to this.